Understanding Toners - Teacher's Lounge - Freestyle Photographic Supplies

Toning has been around almost as long as photography itself. In 1840 Frenchman Hippolyte Fizeau created a gold chloride toning bath to increase the stability of Daguerreotype images. Since then, many toners have been developed. Sepia, selenium, copper, and blue are the most common.

Dye vs. Toner

Toners actually bind with the silver of a print. In most cases, this gives the photograph added stability which adds to the image's permanence. With toners, you will generally see the most marked color changes in the shadow areas of your image. (If you get color in the highlight areas you may not have fixed the print completely.)

Dyes are also often referred to as "toners" but the difference is substantial. Dyes do not bond with the silver grain in the same way as toners and thus will not stabilize your print. Dyes color the highlight areas of your print. Any of the Berg Color Toning Kits and any Edwal "toners" are considered dyes. There are more colors available in dyes than in toners. (Try a coffee dilution for an inexpensive dye!)

Why Use a Toner

Some toners will make your print very resistant to environmental contaminants and ultraviolet radiation. But you can also use toners to add depth, imply mood and create striking contrast to your photographs.

Paper Choices

You can use RC or fiber based papers, but fiber based papers work best because emulsion is softer and they don't have the resin coating to contend with. When you plan to tone a print, do not use a hardening fixer. You can use either a warm tone or cold tone paper but we recommend you try both! You get a very different result from each.

Toner Descriptions

Four of the most common toners: Sepia, selenium, copper, and blue (iron):

Toner	Added Stability	Noticeable	Tone/color	Try it for	Notes
Sepia	Good	Very	Yellow-Brown	Portraits or buildings	Print 10% darker "Phew!"
Selenium	Excellent	Mild on CT Very on WT	Purple on CT Russet on WT	Anything!	Great for preserving prints
Copper	Low	Very	Cool brown to near red	Old fashioned look	Tone changes w/ time immersed
(Iron) Blue	None	Very	Cyan blue	Winter scenes	-
Gold, Protective	Excellent	Slight	Midnight blue	Night or heavily shadowed scenes	Does not produce a golden tone.
Brown	Good	Very	Brown	Old fashioned look	Works slowly
Gold, Nelson's	Excellent	Very	Yellow-Brown to Med. Brown	Anything!	Must not use metal tray tongs!
Yellow-Gold	None	Very	Yellow	Anything
Red	None	Very	Red	Anything	Available as dye only
Green	None	Very	Green	Forests, Etc.

Frequently Asked Questions
Is sepia toner dangerous to breathe?	No. It just smells bad. If the odor is objectionable, Freestyle carries odorless sepia toner.
Can you mix different toners in the same tray at the same time?	Not really. But double toning (using two toners on the same print) or triple toning produces great effects. This can be done using masks, or even hand applying with a brush.
What kind of paper is best for toning?	Generally Fiber Based paper is best. Try out different kinds. Warm, neutral, and cold tone papers each give you a different result.
What is Frisket used for?	Frisket is used to mask out areas you don't want to tone. For example, if you want to blue tone only the water, put frisket on the mountains.